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Almost a landscape In
collaboration with the Goethe-Institut Inter Nationes of Milan. The exhibition
of Elisabeth Scherffig is made up of six large drawings (120x160cm) and a steel
structure from which 10 organdy silk needlework panels are hung. The
German artist, who has lived and worked in Italy for more than thirty years, has
chosen an urban landscape of on going or abandoned work sites as the subject for
her drawings. Small repeated marks in chalk led (dark sepia) on slightly rough
Arches paper describe matter inch by inch, catching the tension and precariousness
of the equilibrium. Simple shapes, on the other hand, are used for the fine needlework
of the silk panels. They represent small fishermens buildings along the
Spanish coast of Andalusia used for storing their equipment.
The assembly of works gives rise to a play of transparency which winds through
the suggestive space in borgovico
33, perfectly
expressing the duality of existence: chaos and order, solid and void, darkness
and light.
The entirety is constructed like a piece of music. The drawing is the complexity
with its interlock of rhythm, harmony and melody whereas the silk needlework crystallizes
the themes found in the composition.
Elisabeth Scherffig (1949) was born in Düsseldorf (Germany) and has
lived in Milan since 1970.
To cite only the most recent personal exhibitions:
2002
2001
2000
1997
1996
1994
1993
1992
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Milano, Galleria Maria Cilena
Londra, Faggionato Fine Arts
Bologna, Studio G 7
Milano,
M.Valsecchi
Verona, Colpo di Fulmine
Düsseldorf, C.G.Boerner
Milano, M.Valsecchi
Londra, Berggruen & Zevi
Verona,
Colpo di Fulmine
Serre di Rapolano, Spazio per l'arte
Milano,
Galleria M.Cilena-P.Cavellini
Barcellona, Galleria Pergamon. |
The catalog Quasi un paessaggio (Almost a
landscape) will be published for the exhibition by borgovico33
with an introduction by Angela Madesani and text by Alberto Veca.
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