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De musicorum infelicitate October 17, 2003
at 6:00pm Walter Marchetti is one of the most original
and controversial authors in the world of contemporary musical creation. In his
works he has always explored and focused on the fine line that links music to
his own visual representation. He does this with an unmistakable realistic rigor,
blending subtle provocation and paradox, without ever breaking from a refined
poetic allusiveness. He is undoubtedly one of the protagonists of the Neo-avant-garde
musical scene since the end of the 50s and one of the first European composers
to have accepted the iconoclastic challenge of John Cages Dekomponieren.
He is a pioneer of action music and performance art, and in 1964 his historic
collaboration with Juan Hidalgo in Madrid gave rise to the legendary ZAJ group.
His works, as a whole, constitute one of the rare examples of conscious extension
of aesthetic radicalism to musical poetics. With an installation especially conceived
for the space in borgovico 33, Walter Marchetti will present his new book-score
De musicorum infelicitate two years after the cycle of compositions bearing
the same name (subtitled Dieci pezzi in forma di variazioni dolenti) released
in a compact disc by the Alga Marghen label. This is not only the score of one
of the greatest and without a doubt most significant works by Walter Marchetti,
but a series of aphorisms and statements that continue page after page alongside
the musical notation that allows us to see the authors point of view on
music, creativity and the contemporary situation in general. He brings to it a
peculiar ethic vision tinged with a claim for radical humanism. The book does
not allow for any lyrical relaxation although it is not without intense poetic
moments. It is never "overshadowed" by or in the service of art, but
tends to transmit an immediate image of music, playing on the ambiguity of annotated
codes and their mirror-like relation with the intricate and intentionally "deformed"
stratification of sounds in the homonymous musical piece it refers to. De musicorum
infelicitate is produced by Emanuele Carcano under the auspices of the Alga
Marghen label in Milan, and the bilingual Italian/English edition is edited by
Gabriele Bonomo with the contribution of Henry Martin for the translation and
coordinating editor Giorgia Nessi. The book in DIN A 4 format, is 200 pages long
in a limited edition of 300 copies which will be distributed together with the
reprint in two long playing records of the composition bearing the same tile previously
released in compact disc (Alga Marghen, plana-M alga 15, book + 2 LP). In the
installation at borgovico 33, the books will be placed on a series of music stands
located in various points in the space allowing the viewer to turn the pages of
the score while listening to the entire musical work De musicorum infelicitate
(Dieci pezzi in forma di variazioni dolenti) according to a random time
sequence. During the event, the author will execute a performance of his Musica
da camera n. 215. Walter
Marchetti "When I was young,
I wasnt shrewd enough to close my ears in time."
Walter
Marchetti was born in 1931 and holds the Chair of Eventology at the Department
of Advanced Arts at the University of Hoggar, Wasteland.
After a number of years of research in the now distant 1950s on "Synthetic
Artists of Freedom"a movement which rejected the inexorability of entropy
as the final destiny of everythingin 1965-66 he published in Madrid Arpocrate
seduto sul loto, a real treatise on Eventology. He describes himself
as follows: "I was condemned to go to work while still quite young, and I
have worked at various times as grape picker, brick layer, saddle maker, wine
merchant, metal cutter, lathe operator, frame welder for automobile and bicycle
parts, skilled worker at an industrial glass factory, handyman, post office clerk,
music and record salesman, music consultant, sound technician, translator, director
of an art gallery, typesetter, entrepreneur, etc. It is important to stress that
in music I am self-taught, in spite of a number of attempts to study music seriously,
with all due rigor. Such efforts were always abandoned since they finally struck
me as anything other than serious. In 1954-55, I made the acquaintance of Bruno
Maderna, a great musician and a great friend, who gave me a hand and to whom I
remain quite deeply attached even in spite of the differences that arose in 1958
as a result of John Cages "descent" on Europe, notwithstanding
the fact that Maderna himself was the person who ushered me into that "cage".
Everything has been quite different ever since. Juan Hidalgo and I have been very
close friends for more than forty years, and we have worked together on numberless
projects, both musical and otherwise." In the winter of 1960, Walter Marchetti
spent a period of time in the New Hebrides. A few years later he moved to Spain,
where he and Juan Hidalgo founded the ZAJ group in 1964. After lengthy travels
to myriad places throughout the world, while constantly involved in various activities,
both musical and not, he returned to Milan, Italy, where he now lives and works.
His first record, La caccia, was published in 1974, followed by In terram
utopicam in 1977, Per la sete dellorecchio in 1984, Natura
morta, Vandalia and a new version of Per la sete dellorecchio
in 1989, Suoni dentro Suoni in 1996, Antibarbarus in 1998, Nei
mari del sud. Musica in secca in 1999, and De musicorum infelicitate
in 2001. He has also authored the Italian translations of Daniel Charles
conversations with John Cage (Per gli uccelli, Milan, 1977) and of Pierre
Cabannes with Marcel Duchamp (Ingegnere del tempo perduto, Milan,
1979). For more than thirty years, his work has been presented at the most important
of the worlds international music events, and he remarks that he has always
viewed such occasions with mixed feelings of pleasure and shame. His work has
been seen and heard in: Darmstadt, Cologne, Milan, Las Palmas and Santa Cruz de
Tenerife (Canaries), Barcelona, Madrid, Frankfurt, Paris, Lisbon, San Sebastian
de los Reyes, Almorox, Algiers, Schauinsland, London, Aachen, Berlin, Clermont-Ferrand,
Zaragoza, San Sebastian, Bilbao, Alcoy, Rouen, Düsseldorf, Kassel, Valencia,
Tokyo, Osaka, Pamplona, Santos and São Paulo (Brazil), Cordoba (Argentina),
Albany, Hanover (USA), Montreal, New York, Amherst, Urbana-Champaign, Buffalo,
Minneapolis, Oakland, Berkeley, Colorado Springs, Middletown, Cambridge (USA),
Venice, Munich, Bern, Geneva, Spoleto, Rome, Pavia, Algeciras, Cadiz, Florence,
Pescara, Genoa, Wiesbaden, Marseilles, Eindhoven, Amalfi, Lyons, Bologna, Pratolino,
etc. As far as everything else is concerned, his music is truly beautiful.
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